10
Sep
If you are not loved, but do not know for sure whether a potential rival is loved or not, and, if there are several, do not know which of them is luckier than you; if you subsist on that hopeful ignorance which helps you to resolve in conjecture an otherwise intolerable agitation; then all is well, you can live. But woe when the name is at last announced, and that name is not yours! For she was so enchanting, it even brought tears to one’s eyes, and, at the merest thought of her, a moaning, awful, salty night would well up within me … yes, everything about her was excruciating and somehow irremediable, and only in my dreams, drenched with tears, did I at last embrace her and feel under my lips her neck and the hollow of her clavicle. But she would always break away, and I would awaken, still throbbing.

Vladimir Nabokov, The Eye

(via musingsofalibertine)

7
Jul
To minor authors is left the ornamentation of the commonplace: these do not bother about any reinventing of the world; they merely try to squeeze the best they can out of a given order of things, out of traditional patterns of fiction. The various combinations these minor authors are able to produce within these set limits may be quite amusing in a mild ephemeral way because minor readers like to recognize their own ideas in a pleasing disguise.

Vladimir Nabokov - Good Readers and Good Writers (via gwyon)

Love the JSF tag (not mine). I could add to that list, but I won’t lest I become too predictable.

4
Jul

Nabokov - Softest of Tongues 

soveryclever:

Nabokov’s poignant farewell to his native language. Very possibly my favorite poem of all time.

Softest of Tongues

To many things I’ve said the word that cheats
the lips and leaves them parted (thus: prash-chai
which means “good-bye”) — to furnished flats, to streets,
to milk-white letters melting in the sky;
to drab designs that habit seldom sees,
to novels interrupted by the din
of tunnels, annotated by quick trees,
abandoned with a squashed banana skin;
to a dim waiter in a dimmer town,
to cuts that healed and to a thumbless glove;
also to things of lyrical renown
perhaps more universal, such as love.
Thus life has been an endless line of land
receding endlessly…. And so that’s that,
you say under your breath, and wave your hand,
and then your handkerchief, and then your hat.
To all these things I’ve said the fatal word,
using a tongue I had so tuned and tamed
that — like some ancient sonneteer — I heard
its echoes by posterity acclaimed.
But now thou too must go; just here we part,
softest of tongues, my true one, all my own….
And I am left to grope for heart and art
and start anew with clumsy tools of stone.

by Vladimir Nabokov

source: The Atlantic

2
Jul
Certainly it’s all in bloom, certainly we’ll go. For aren’t you and I gods? … I sense in my blood the rotation of unexplorable universes… .
Listen—I want to run all my life, screaming at the top of my lungs. Let all of life be an unfettered howl. Like the crowd greeting the gladiator.
Don’t stop to think, don’t interrupt the scream, exhale, release life’s rapture. Everything is blooming. Everything is flying. Everything is screaming, choking on its screams. Laughter. Running. Let-down hair. That is all there is to life.
— Vladimir Nabokov (via vacuidad)
14
Jun
Have you ever happened, reader, to feel that subtle sorrow of parting with an unloved abode? The heart does not break, as it does in parting with dear objects. The humid gaze does not wander around holding back a tear, as if it wished to carry away in it a trembling reflection of the abandoned spot; but in the best corner of our hearts we feel pity for the things which we did not bring to life with our breath, which we hardly noticed and are now leaving forever. This already dead inventory will not be resurrected in one’s memory.
— Vladimir Nabokov, The Gift (via letmyepitaphbe)

(Source: vivakafka)

10
Jun
If you are not loved, but do not know for sure whether a potential rival is loved or not, and, if there are several, do not know which of them is luckier than you; if you subsist on that hopeful ignorance which helps you to resolve in conjecture an otherwise intolerable agitation; then all is well, you can live. But woe when the name is at last announced, and that name is not yours! For she was so enchanting, it even brought tears to one’s eyes, and, at the merest thought of her, a moaning, awful, salty night would well up within me … yes, everything about her was excruciating and somehow irremediable, and only in my dreams, drenched with tears, did I at last embrace her and feel under my lips her neck and the hollow of her clavicle. But she would always break away, and I would awaken, still throbbing.

Vladimir Nabokov, The Eye

(via musingsofalibertine)

7
May
In spite of everything I loved you, and will go on loving you—on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck—even then. And afterwards—perhaps most of all afterwards—I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B…without looking, or, without lifting the pencil…or in some other way…we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn.
— Vladimir Nabokov, Invitation to a Beheading (via jobefish)